Print – Exchange — archive entry documenting Paul Emmanuel’s participation and work. Amnion , (detail), 1998. Manière noire stone lithograph, watercolours on 250 gsm Arches white paper, 46,5 x 33 cm. Edition 10 Print – Exchange , Co-operation printmaking project between Flanders and South Africa 1995 A co-operation Project between Flanders and South Africa, this set of playing cards, reproductions of original graphic prints made by Flemish and South African Artists, is the result of the cooperation between the Flemish Centre for Graphics “Frans Masereel” from Kasterlee, the Artist Proof Studio from Johannesburg, and the Hard Ground Printmakers from Capetown. Comprising two complete packs of playing cards in clear plastic container, one pack of these has bibliographic details of each artist on the back of each card and the other pack has the same image on the back of each card. In addition, there is a special edition where the cards have been pasted onto four black accordion folded booklets, all of which are housed in a perspex container. Clubs and Diamonds contain images from Flanders. Hearts contain images from the Artist Proof Studio from Johannesburg. Spades contain images from the Hard Ground Printmakers from Capetown. The South African artists (Hearts and Spades) are indexed. The suite is contained in a black drop-back box by Peter Carstens with antique marbling. (courtesy South African Artists Books website) Related content Exhibition ‘Pages from Cathexis’, 30 April – 27 May 2000 ←Previous Next→

The Lost Men France, a 2014 counter-memorial by Paul Emmanuel at the Thiepval Memorial to the Missing of the Somme, Picardy, France. Installation views of The Lost Men France , WWI Centenary, Thiepval Memorial to the Missing of the Somme, Picardy, northern France, 1 July – 1 October 2014 The Lost Men France , World War One Centenary, Thiepval Memorial to the Missing of the Somme, Picardy, Northern France 1 July – 1 October 2014 ‘The Lost Men France’ was a once-only counter-memorial and an official feature of the 2014 – 2018 First World War Centenary. It was temporarily installed adjacent to the Thiepval Memorial to the Missing of the Somme, Picardy, Northern France as an intervention in the Somme Circuit of Remembrance. In the battles that were fought on the Western Front between 1914 and 1918, thousands of South African servicemen took part and died alongside the Allies but white and black South African men were valourised differently. ‘The Lost Men France’ depicted these names alongside those of the Allies and Germans. Supported by La Mission du Centenaire de la Première Guerre Mondiale, Paris, Institut Français Paris / Johannesburg and The National Arts Council of South Africa. Related Content Artist talk Institut Français and Tshwane University of Technology, 2012 Documentary ‘Remembering a Counter-Memorial: Making The Lost Men France’, 2014 Interview SABC TV Morning Live, Johannesburg, 2014 Counter-memorial ‘The Lost Men Mozambique’ 2007 Counter-memorial ‘The Lost Men Grahamstown’, 2004 Text ‘The Lost Men Project’, 2007 Text ‘Paul Emmanuel: The Lost Men France’ (English version), 2013 Text ‘Paul Emmanuel: The Lost Men France’, (French version), 2013 Text ‘Paul Emmanuel: The Lost Men France’, (German version), 2013

The Lost Men, a 2009 counter-memorial by Paul Emmanuel at the Sylt Foundation, Rantum, Sylt Island, Germany. A South African on Sylt, 2009, Deutsche Welle TV, Berlin, Germany, 6 min 28 sec The Lost Men , Sylt Foundation, Rantum, Sylt Island, Germany July – September 2009 Emmanuel was invited to the Sylt Foundation as an artist-in-residence from 26 May to 26 June 2009. The Sylt Foundation is located on the island of Sylt in the North Sea, off the coast of Germany. During this residency, the existing memorial installations of ‘The Lost Men Grahamstown’ (2004) and ‘The Lost Men Mozambique’ (2007) were installed on the island, to be seen by visitors to the Meerkabarett Cultural Festival, which takes place annually from 6 July to 23 August 2009. Related Content Counter-memorial ‘The Lost Men Grahamstown’, 2004 Counter-memorial ‘The Lost Men Mozambique’ 2007 Counter-memorial ‘The Lost Men France’, 2014 Text ‘The Lost Men Project: Paul Emmanuel’, 2007

The Lost Men Mozambique, a 2007 counter-memorial by Paul Emmanuel at the Catembe Ferry Jetty, Maputo, Mozambique. Installation view of The Lost Men Mozambique , 24 April – 12 May 2007. Counter-memorial, Catembe Ferry Jetty, Maputo, Mozambique. Photographed by John Hodgkiss. Courtesy of Art Source South Africa The Lost Men Mozambique , counter-memorial, Catembe Ferry Jetty, Maputo, Mozambique 24 April – 12 May 2007 For this once-off counter-memorial it was intended to depict the names of Mozambican and South African combattants who had died in the Mozambican Civil War between the Frelimo and Renamo political movements. During the 1980's, South Africa's apartheid government supported Renamo. In 2007 however, Mozambican authorities placed a moratorium on releasing any names to the public and consequently, Emmanuel's skin was embossed with the words Unknown Soldier repeated in Shangaan and Portuguese languages. Two printmaking workshops were conducted at The National School of Visual Art in Maputo and an exhibition of participant’s prints was installed at the French-Mozambican Cultural Centre. Supported by Pro Helvetia Arts Council of Switzerland, Swiss Agency for Development and Cooperation, Centre Culturel Franco-Mozambicano, French Institute South Africa and The National School of Visual Art. In memory of John Hodgkiss. Related Content Counter-memorial ‘The Lost Men Grahamstown’, 2004 Counter-memorial ‘The Lost Men France’, 2014 Text ‘The Lost Men Project: Paul Emmanuel’, 2007

The Lost Men Grahamstown, a 2004 counter-memorial by Paul Emmanuel at the 1820 Settlers National Monument, Gunfire Hill, Grahamstown, South Africa. Photographs, pre-installation and installation views of The Lost Men Grahamstown . 1 – 10 July 2004. Counter-memorial, tenth anniversary of South Africa’s democracy, 1820 Settlers National Monument, Gunfire Hill, Makhanda (formerly known as Grahamstown), Eastern Cape, South Africa. Twenty-one pigment-printed photographs (100 x 200 cm each), voile, silk, steel, 3 x 16 x 6 metres. The Lost Men Grahamstown , counter-memorial, tenth anniversary of South Africa’s democracy, 1820 Settlers National Monument, Gunfire Hill, Makhanda (formerly known as Grahamstown), Eastern Cape, South Africa 1 – 10 July 2004 This once-only counter-memorial was temporarily installed adjacent to the 1820 Settlers' National Monument, Grahamstown, South Africa in July 2004 on the 10th anniversary of South Africa's democracy. The installation formed part of the Grahamstown National Arts Festival's main programme. Sourced from public archives, the names and military ranks of men who had died in the Eastern Cape Wars of Dispossession 1779-1878 fought in the Grahamstown area, were pressed into Emmanuel's skin. Xhosa names however, could only be sourced from the journals of white soldiers and were each recorded as a single name only. Supported by The National Arts Council of South Africa and The Grahamstown National Arts Festival. Related Content Counter-memorial ‘The Lost Men Mozambique’, Maputo, 2007 Counter-memorial ‘The Lost Men France’, Thiepval Memorial to the Missing of the Somme, 2014 Interview Paul Emmanuel, MNet TV, Kyknet, 2004 Exhibition ‘Men and Monuments’, Wits Art Museum, 2020 Intervention ‘Rising-falling’, General Louis Botha monument, 2021 Text ‘The Lost Men Project: Paul Emmanuel’, 2007

Selected essays, journal articles, interviews and research texts on the work of South African artist Paul Emmanuel. Irene Enslé Bronner Critical Commemorative Practices in The Lost Men France by Paul Emmanuel De Arte, 1–23. Taylor and Francis, November, 2025 Print ISSN: 0004-3389 Online ISSN: 2471-4100 Read more → Mark Auslander and students enrolled at American University Museums, Difficult Dialogues and Social Repair Transcript of an interview with Paul Emmanuel conducted by students in an undergraduate, anthropology course by Professor Mark Auslander at American University, Washington D.C., U.S.A., May, 2024 Read more → Paul Emmanuel Untethered: Exploring Intimacy and Estrangement in Military Culture and Civilian Society. A thesis submitted in partial fulfilment of the degree of Master of Fine Arts at the Maryland Institute College of Art, May, 2024 Read more → Irene Enslé Bronner Light on loss in new works by Paul Emmanuel. 'Image and Text' no 36, Taylor and Francis, University of Pretoria, Pretoria, South Africa, November, 2022 ISSN 2617-3255 Read more → Karen von Veh and Landi Raubenheimer Memorials, Landscape and White Masculinity: Dialogic Interventions in South African Art. 'Image and Text' no 36, Taylor and Francis, University of Pretoria, Pretoria, South Africa, November, 2022 ISSN 2617-3255 Read more → Mark Auslander Altered Carbon: Dramas of Detachment. Reflections on Paul Emmanuel's Substance of Shadows. 'Moving Cube', University of Johannesburg Art Gallery, Johannesburg, South Africa, September, 2021 Read more → Adelheid von Maltitz Art, Place, Death: The Transformative Power of Dynamic Thresholds. A thesis submitted in partial fulfilment of the degree of Doctor of Philosophy at the University of the Free State, Bloemfontein, South Africa, July, 2021 Document ID: 2002119739 Read more → Mark Auslander and Pamela Allara Platform Number 5: Paul Emmanuel. 'Art Beyond Quarantine', Online blog, Mark Auslander, June, 2020 Read more → Karen von Veh The Material of Mourning: Paul Emmanuel's Lost Men as Counter-memorials. 'Image and Text' no 34, Taylor and Francis, University of Pretoria, Pretoria, South Africa, December, 2020 ISSN 2617-3255 Read more → Ellen Schasttschneider, Mark Auslander and Pamela Allara Ex Unitate Vires: Paul Emmanuel. 'Art Beyond Quarantine', Online blog , Mark Auslander, April, 2020 Read more → Mark Auslander Veil 1954: Paul Emmanuel. 'Art Beyond Quarantine', Online blog , Mark Auslander, April, 2020 Read more → Pamela Allara Carbon dad 2017: Paul Emmanuel. 'Art Beyond Quarantine', Online blog , Mark Auslander, March, 2020 Read more → Pamela Allara and Mark Auslander Between Men and Monuments: The Art of Paul Emmanuel. 'Art Beyond Quarantine', Online blog , Mark Auslander, March, 2020 Read more → Pamela Allara Shrouds on the Somme's Body 'Paul Emmanuel', Wits Art Museum, Johannesburg, South Africa, March, 2020 ISBN 978-0-620-87116-7 Karen von Veh Where Have All the Young Men Gone? 'Paul Emmanuel', Wits Art Museum, Johannesburg, South Africa, March, 2020 ISBN 978-0-620-87116-7 Annette Becker Paul Emmanuel: The Lost Men France (2014) 'Paul Emmanuel', Wits Art Museum, Johannesburg, South Africa, March, 2020 ISBN 978-0-620-87116-7 Karen Von Veh The Politics of Memory in South African Art. 'De Arte', UNISA Press, Pretoria, South Africa and Routledge Taylor & Francis Group, London, UK, February, 2019 ISSN 0004-3389 Read more → Andrew Peter Swanepoel Repositioning the Problematic Gender Formation of a Generation of White South African Men Through Performance Art Dissertation submitted in accordance with the requirements for the degree of Master of Visual Arts at The University of South Africa, Pretoria, South Africa, August, 2018 Robyn Sassen Your Name, My Body. 'My View: The Arts at Large', Robyn Sassen, Johannesburg, South Africa, March, 2018 Read more → Johan Thom Impermanence: Paul Emmanuel. 'Paul Emmanuel: Impermanence', Fried Contemporary Gallery, Pretoria, South Africa, March, 2018 Read more → Matthijs Sluiter The Lost Men Project. 'Fonts in Use', Fonts in Use LLC, Oakland, California, USA, 2018 Read more → Paul van Capelleveen Paul Emmanuel, The Lost Men Project. 'Reading is Touching in The Art of Reading', Museum Meermanno, The Hague, The Netherlands, November, 2017 Read more → Pamela Allara Paul Emmanuel: The Counter-memorial in the Age of Permanent War. 'Aesthetic Justice', College Art Association Conference, New York, USA, February, 2017 Read more → Pamela Allara Shrouds on the Somme: Paul Emmanuel's World War I Counter-Memorial. 'Paul Emmanuel: Remnants', Boston University Art Galleries, Boston, Massachusetts, USA, January, 2016 Read more → Pamela Allara Mechanized Bodies: From the Armored Body to Technological Vision. 'Permanent War: The Age of Global Conflict', School of the Museum of Fine Arts, Boston, USA, January, 2015 Read more → Clare Humphries Material Remains: The Afterlife of Personal Objects. An project submitted in fulfilment of the requirements for the degree of Doctor of Philosophy, pp 228 – 231, RMIT University, Melbourne, Australia, October, 2014 Read more → Annette Becker À guerre mondiale, art mondial. 'Voir La Grande Guerre – Un Autre Récit', Armand Colin, Paris, France, October, 2014 ISBN 978-2-200-28757-3 Read more → Dominic Thorburn Borderline – Sweeping a Mind Field. ‘Borders & Crossings’ IMPACT 8 International Printmaking Conference, University of Dundee, Scotland, UK, August, 2013 Read more → Paul Emmanuel The Lost Men France: An Artist’s Outdoor Public Installation. Artist-authored illustrated project document, English edition, Johannesburg, South Africa, 2013. Read more → Paul Emmanuel The Lost Men France: L’installation d’un projet commémoratif d’artiste. Artist-authored illustrated project document, French edition, Johannesburg, South Africa, 2013. Read more → Paul Emmanuel The Lost Men France: Eine Kunst-Installation im öffentlichen Raum. Artist-authored illustrated project document, German edition, Johannesburg, South Africa, 2013. Read more → Irene Enslé Bronner The 'person without the person' in the early work of Paul Emmanuel. 'De Arte', UNISA Press, University of South Africa, Pretoria, South Africa. Volume 85, 2012, pp 42-58. ISSN 0004-3389 Read more → Pamela Allara Diane Victor and Paul Emmanuel: Lost Men Lost Wor(l)ds. 'Gender and South African Art' in 'African Arts', MIT Press Journals, Cambridge, Massachusetts, USA. Volume 45, No. 4, October 2012, pp 34-45. ISSN 0001-9933 Read more → Pamela Allara Paul Emmanuel’s Transitions: The White South African Male in Process. 'NKA Journal of Contemporary African Art', Duke University Press, North Carolina, USA. Issue 28, November, 2011, pp 58-66. ISSN: 1075-7163 Read more → Michael Smith FNB Joburg Art Fair Featured Artist Paul Emmanuel. 'ArtThrob', ArtThrob, Cape Town, South Africa, 2011 Read more → Irene Enslé Bronner Initimate Masculinities in the Work of Paul Emmanuel. A thesis submitted in fulfilment of the requirement for the degree of Master of Arts of Rhodes University, Makhanda, South Africa, 2011 Document ID: 2108 Read more → Robyn Sassen Under Covers: South Africa’s Apartheid Army – an Incubator for Artists’ Books. 'The Blue Note Book: Journal for Artists' Books', CFPR, University of the West of England, Bristol, UK, Volume 3, Number 1, October, 2008. ISSN 1751-1712 (print) 1751-1720 (online) Read more → André Croucamp Conversations on the Transience of Light. 'Transitions', Art Source South Africa, Johannesburg, South Africa, 2008 ISBN 978-0-620-41945-1 Read more → Aryan Kaganof Interview with Paul Emmanuel. 'Kagablog', Online blog, Aryan Kaganof, Johannesburg, South Africa, 2008 Read more → Robyn Sassen Of Circumcising and Circumscribing and Understanding Where I Fit In. 'Transitions', Art Source South Africa, Johannesburg, South Africa, 2008 ISBN 978-0-620-41945-1 Read more → David Paton The Sound of a Book: Sound as Generator of Narrative in the Reception of Selected New Media Objects as Books. 'Image & Text', No. 13, University of Pretoria, Pretoria, South Africa, 2007 ISSN 1020 1497 Read more → Paul Emmanuel The Lost Men Project . Artist-authored concept document, Johannesburg, South Africa, 2007. Read more → Robyn Sassen Attention Seeking Images. 'IMPACT International Printmaking Conference', Tallinn, Estonia, 2006 Read more → David Paton Interview with Paul Emmanuel. 'Navigating the Bookscape: Artists’ Books and the Digital Interface', David Paton, Johannesburg, South Africa, 2006 ISBN 0-620-37094-7 Read more → Robyn Sassen Navigating the Bookscape: Artists’ Books and the Digital Interface. 'Navigating the Bookscape: Artists’ Books and the Digital Interface', David Paton, Johannesburg, South Africa, 2006 ISBN 0-620-37094-7 Read more → Julia Charlton Drawing out of the Darkness: Contemplating after-image. 'After-image', Paul Emmanuel, Johannesburg, South Africa, 2004 ISBN 0-620-32295-0 Read more → Lisa Cohn The Lost Men. 'ITCH', Volume 1 Issue 1, Bell Roberts Publishing, Cape Town, South Africa, 2003 ISBN 0-6203-1894-5 Read more →

My Joburg — archive entry documenting Paul Emmanuel’s participation and work. Number 05000674PV , 2009. Manière noire stone lithograph, hand printed, hand coloured, signed, numbered and dated by the artist. Black lithographic ink and watercolour pigment on 285 gsm Fabriano Rosaspina Avorio paper. 80 x 156 cm. Edition 35. Courtesy of Art Source South Africa My Joburg , La Maison Rouge: Fondation Antoine de Galbert, Paris, France, 20 June – 23 September 2013 La Maison Rouge continues the series of exhibitions focusing on the arts scene in major provincial cities. After My Winnipeg (Manitoba, Canada), an exhibition presented during the summer 2011, the second of the cities will be Johannesburg (South Africa). An event on the occasion of the Seasons South Africa 2012/2013 in France in partnership with Institut Français. My Joburg , toured to the Staatliche Kunstammlungen, Dresden, Germany, 26 October 2013 – 5 January 2014. My Joburg was organised by La Maison Rouge – Fondation Antoine de Galbert, Paris, with the support of the National Art Council (NAC) of the Republic of South Africa and the Institut Français, under the curatorial direction of Paula Aisemberg and Antoine de Galbert. number 05000674PV (2009) was selected by the museum's curators for this exhibition. Related content Exhibition ‘Transitions Multiples’, 2011 Exhibition ‘Transitions Multiples’, 2011 Publication ‘Transitions Multiples’, 2011 Publication ‘Transitions Multiples’, 2011 ←Previous Next→

Chronological archive of selected works by Paul Emmanuel, South African artist working across drawing, installation, photography, film, public art and counter-memorial projects.

Transitions Multiples by Paul Emmanuel, shown by Gallery AOP at the 2011 FNB Joburg Art Fair, Johannesburg, South Africa. Exhibition view of Transitions Multiples, FNB Joburg Art Fair Featured Artist booth, South Africa, 23 – 25 September 2011 Transitions Multiples , FNB Joburg Art Fair Special Project: Featured Artist, FNB Joburg Art Fair in association with Gallery AOP, Sandton Convention Centre, Johannesburg, South Africa 23 – 25 September 2011 ‘Transitions Multiples’ formed part of Emmanuel’s ‘Transitions’ project in which he explores the way society constructs perceptions and performances of a masculine identity. The exhibition comprised a suite of hand printed, hand coloured 'manière-noire' stone lithographs as well as the short film ‘3SAI: A Rite of Passage’ (2008). The show was presented by FNB Joburg Art Fair in association with Gallery AOP. A publication was produced by Gallery AOP and project managers Art Source South Africa. Related Content Film ‘3SAI: A Rite of Passage’, 2008 Documentary ‘How the Transitions Multiples Lithographs Were Made’, 2011 Publication ‘Paul Emmanuel: Transitions Multiples’, 2011

Solo exhibitions by Paul Emmanuel, including museum, gallery, installation, public art and touring exhibition projects. ‘Substance of Shadows’, University of Johannesburg Art Gallery, South Africa, 11 September – 2 October 2021 ‘Rising-falling’, General Louis Botha monument, Union Buildings, Pretoria, South Africa, 15 June 2021 ‘Men and Monuments’, Wits Art Museum, Johannesburg, Gauteng, South Africa, 3 – 18 March 2020 and 6 – 30 April 2021 ‘Impermanence’, Fried Contemporary Gallery, Pretoria, Gauteng, South Africa, 8 March – 7 April 2018 ‘Remnants’, The Reservoir, Oliewenhuis Art Museum, Bloemfontein, South Africa, 25 May – 9 July 2017 ‘Remnants’, 808 Gallery, Boston University, Massachusetts, USA, 28 January – 20 March 2016 ‘Remnants’, Freedom Park Museum, Pretoria, Gauteng, South Africa, 25 June – 31 July 2015 ‘The Lost Men France’, World War One Centenary, Thiepval Memorial to the Missing of the Somme, Picardy, Northern France, 1 July – 1 October 2014 ‘Transitions Multiples’, FNB Joburg Art Fair Special Project: Featured Artist, FNB Joburg Art Fair in association with Gallery AOP, Sandton Convention Centre, Johannesburg, South Africa, 23 – 25 September 2011 ‘Transitions’, Rosenberg Gallery, Brown Center, Maryland Institute College of Art, Baltimore, Maryland, USA, 9 September – 2 October 2011 ‘Transitions Multiples’, Goya Contemporary, Goya Girl Press, Baltimore, Maryland, USA, 8 September – 5 November 2011 ‘Transitions’, Sylt Foundation, Rantum, Sylt Island, Germany, 18 February – 24 April 2011 ‘Transitions’, National Museum of African Art, Smithsonian Institution, Washington DC, USA, 12 May – 22 August 2010 ‘Transitions’, Spier Old Wine Cellar Gallery, Spier Estate, Stellenbosch, Western Cape, South Africa, 26 November 2009 – 15 February 2010 25 February – 31 March 2010 ‘The Lost Men’, Sylt Foundation, Rantum, Sylt Island, Germany, July – September 2009 ‘Transitions’, Rhodes University Alumni Gallery, Albany History Museum, National Arts Festival, Makhanda (formerly known as Grahamstown), Eastern Cape, South Africa, 2 – 11 June 2009 ‘Transitions’, KwaZulu-Natal Society of Arts (KZNSA Gallery), Durban, KwaZulu-Natal province, South Africa, 2 – 21 June 2009 ‘Transitions’, William Humphreys Art Gallery, Kimberley, Northern Cape province, South Africa, 15 April – 15 May 2009 ‘Transitions’, Oliewenhuis Art Museum, Bloemfontein, Free State province, South Africa, 5 February – 8 April 2009 ‘Transitions’, Apartheid Museum, Johannesburg, Gauteng province, South Africa, 27 September – 31 December 2008 ‘The Lost Men Mozambique’, Counter-memorial, Catembe Ferry Jetty, Maputo, Mozambique, 24 April – 12 May 2007 ‘After-image’, The Gallery Hall, Villa Arcadia, Hollard House, Johannesburg, Gauteng, South Africa, 13 October 2005 – 14 January 2006 ‘After-image’, Oliewenhuis Art Museum, Bloemfontein, Free State, South Africa, 5 – 29 April 2005 ‘After-image’, The Old Fort, Constitution Hill, Johannesburg, Gauteng, South Africa, 17 January – 10 February 2005 ‘After-image’, University of Stellenbosch Art Gallery, Stellenbosch, Western Cape, South Africa, 3 – 26 August 2004 ‘The Lost Men Grahamstown’, Counter-memorial, tenth anniversary of South Africa’s democracy, 1820 Settlers National Monument, Gunfire Hill, Makhanda (formerly known as Grahamstown), Eastern Cape, South Africa, 1 – 10 July 2004

Cartographies of Becoming — archive entry documenting Paul Emmanuel’s participation and work. Installation view of The Lost Men Mozambique , 2007. Nine pigment-printed photographs (300 x 100 cm each), voile, aluminium, polyethylene, size variable. Photographed by Joachim Wussow. Courtesy of Sylt Foundation and Art Source South Africa. Cartographies of Becoming , The Sylt Foundation, Sylt Island, Germany. 24 December 2021 – 30 December 2022 Cartographies of Becoming interrogates the ephemeral process of positioning the self, the artist self and the social in response to a world in disintegration. How can we imagine, dream and create new meaning-making through the remembrance, and re-arrangement of perspectives, of memories, of trauma, of experiences? Six artists and their departure from the certainty of our cultural maps of belonging into the ephemeral space of transition. A reprint of the banners from The Lost Men Mozambique (2007) and Rising-falling (2021) were selected by curator Indra Wussow for this exhibition. Related content Counter-memorial ‘The Lost Men Mozambique’, 24 April – 12 May 2007 Video artwork ‘Remember-dismember’, 2015 ←Previous Next→

Contact Paul Emmanuel Studio for enquiries about South African artist Paul Emmanuel’s artworks, exhibitions, projects, press and related materials. Studio Email: studio@paulemmanuel.net